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The aspect of my work that consists in narrating different emotional states began in 1996 with the projection of slides of bodies and faces on ceilings, walls, floors, and trees. I extended this work by reworking images on a computer and printing them on sheets of plexiglass, a material I considered similar to a projector beam in terms of its impalpability. After this my work found what I consider to be its purest expression so far: prints on paper where variations of light isolate the subject and emphasize their emotions. The last phase of my work is comprised of video installations that elucidate this same progression of imagery with a slight, almost imperceptible movement. |
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